A great conclusion to the trilogy; it’s the last both in publishing and internal chronology. Tally, our heroine, is in the summer before college.
The book starts off jarringly; it’s in Tally’s voice. She’s SO busy letting us know how smart she is with her word choices and casual brilliance that it’s offputting… which, matches the reaction the strangers in her life have to her. Her family and close friend all know her well and put up with (or are charmed) by her positions, vocabulary and diction, which are strong and confident.
Tally’s tale picks up a generation after Aurora and “Aunt Beast” grew up in Cass and Maia’s shadows in All Our Pretty Songs; she’s raised by Raoul (who gets modest screen time), his husband (who doesn’t), and Aunt Beast in a modern mixed family of choice. She’s an orphan daughter of Aurora (she knows), but it’s complicated. She’s surrounded by love, but with both her Mom absent and Father unknown… she’s unsure of herself, emotionally, no matter how she erects intellectual bulwarks.
After the awkward first chapter (once Tally’s not trying to impress us, it seems), the book reads smoothly. The magic is much less metaphorical this time around; it’s more than creepy dreams and bad choices. The overt magic extends Tally’s time on her journey… and, given how straightforwardly she tackles things to start, it was probably necessary to shortcut her having a frank talk and heading home a day later. (I mean, that’s just about how the book ends… but there’s a lot that goes on first because she and others are all being manipulated in the meantime.)
It’s a great book. Tally carries the story and drives everything–and she has the personality and perseverance to make it an interesting journey, even if it’s less obviously perilous than Cass and Maia’s journey. She’s also flawed, but that’s easy to forgive in the moment, and an important component of her authenticity.
Interestingly, her boyfriend Shane is important… but he’s relegated almost to a frame story. It’s a quirky thing to notice afterwards.